I took part in building MacBeth Musical’s main swordfights for Tampere Student Theatre. Besides this, I gave some exercises for the larger battles to portray dynamics of a mass fight.

Neon Moon was an indie film by coffee’n’movies. It was a cyberpunk short, where I helped with the most important relationships dramaturgies and with several choreographical choices to tell a specific story.

LINK TO RECORDING

Love Simulation EVE was an indie piece combining virtual reality and immersive live-performance that was performed at &-theatre, the city theatre of Espoo city. I participated in the process already from the script phase to the very end in the role of an intimacy director.

I was asked to direct a co-performance in connection to an immersive pilgrimage to the Turku Medieval Market. We built four physical performances to the pilgrims’ path. The purpose of these scenes was to invite people to pause for some internal  journeys, light comedy and to the beauty of nature.

I was part in crafting the fight choreographies for this post-apocalyptic student film.

I helped in intimacy coordination of Kiitos elämä television series

In this student production I worked online in supporting the cast in Praque, Czech Republic with both their scenes of violence and intimacy mainly giving them protocols for nudity and relationship dramaturgy.

IMDB LINK

I directed an hour-long mask theatre adaptation of Treasure Island for five actors.

LINK TO A REVIEW

I performed and created a solo piece for Peeled – theatre festival as part of my physical theatre studies.

I performed in a student production directed by Tom Fjordefalk as part of my physical theatre studies.

I performed a dance from classical Nihon Buyou repertoire Beats and Prayers festival as part of my physical theatre studies.

I directed Eugene Ionesco’s text as a part of my physical theatre studies at Novia University of Applied Sciences

I acted William Butler Yeat’s Purgatorium as directed by Liv Nordgren as a part of my physical theatre studies at Novia University of Applied Sciences

I acted in Elin Smedlund’s version of Jean-Paul Sartre’s text as a part of my physical theatre studies at Novia University of Applied Sciences

I performed a dance from classical Nihon Buyou repertoire at the market event.

I performed several dances from classical Nihon Buyou repertoire at SampeiFes festival in Kyoto, Japan as part of my exchange studies there.

I worked as a summer actor for the Vasa Lunch Picnic where I created several live performances for the picnic-goers. These included a music-theatre performance and several clown numbers.

I fight directed, intimacy directed and worked as an acting coach for the second version of the fan musical based on Ginga: Nagareboshi Gin.

LINK TO RECORDING

I have taught courses in stage combat as part of their basic theatre education program since 2020.

I taught several weekly lessons in general physical theatre, mime (acting technique) and pantomime (technique of gesture language) at Turku Dansart, an association for professional performers in Turku.

I taught a Swedish-language version in Humane Theatre course at Åbo Svenska Arbetarinstitut in spring 2020.

I taught two day courses for Turku Student theatre in 2019.

I visited the US in 2019, and worked there as an assistant-teacher for several intimacy courses organized by Intimacy Directors International and their intimacy directors. I also shadowed a few working professionals in their teaching.

I taught regurlarly at Tampere Contact Improvisation (TreKI) weekly classes during 2015-2018.

I taught a three-weekend stagefighting course to the theatre students at Pirkan opisto.

I researched, studied and taught HEMA at Vaasa Fencers Society (VaMi) in 2011-2015.

I researched, studied and taught historical dance and folk dance in Vaasa 2011-2015 with the local dance group in Levande Tradition program.

I practiced and finally started to studied leadin HEMA classes at Jyväskylä Swordfighting Society between 2010-2011.