I fight-directed fencing parts for MacBeth Musical at Tampere Student Theater. I also helped create dynamic containers for some parts of the stylized mass battle.

I fight-directed several fencing and spear-fighting moments for Teatteri Soittorasia in their performance of Lumikuningatar (Snow Queen). This was part of Soittorasia's annual dramatic combat courses which are part of their basic theatre education program.

Keskityin Jäänmurtajassa koreografian rakentamisprosessiin, jotta pystyimme paremmin kertomaan tarinaaa hahmojen välisestä intensiivisestä, monisyisestä ihmissuhteesta. IMDB LINKKI

Turun suurtorin keskiaika wanted to have an immersive performance in connection with their new pilgrimage project. I directed four small independent scenes to the nature of South-Western Finland between the Church of Lemu and City of Turku. The intent behind these scenes was to stop people to consider the value of internal journeys, comical nature of life and beauty of nature.

Neon Moon is an indie cyberpunk short film by coffee'n'movies. As part of my intimacy-coordination, I supported the production with relationship-dramaturgical tools and coordinated and choreographed the key moments of the sibling-relationship of the movie.

LINK TO RECORDING

Love Simulation EVE was an indie-production combining virtual reality (VR) and immersive live-performance. It was experienceable at &-theater, Espoo City Theater. I took part of the process as an intimacy director and intimacy coordinator from the very beginning of the conceptual phase to the first night. This production was an excellent example of how an intimacy director can be used to their fullest: I was part of the production group for several years.

I crafted the fight choreographies for this post-apocalyptic student film.

I supported the young actors with choreographical and structural tools in their scenes including squabbles, falling in love and playful togetherness.

I helped in intimacy coordination of Kiitos elämä television series

I supported some actors in finding their movement choices and support structures in order to sharpen and add playfulness to their intimate scenes.

I worked as an intimacy director for an indie experience about human connection in VR. This piece later became a part of Love Simulation EVE. LINK TO DESCRIPTION

In this student production I worked online in supporting the cast in Praque, Czech Republic with both their scenes of violence and intimacy mainly giving them protocols for nudity and relationship dramaturgy.

IMBD LINK

I co-choreographed and co-directed a simple fight performance for Turun suurtorin keskiaika.

I directed several short films about the daily lives of people in medieval Turku as a part of the Online Medieval Market.
PART 1, PART 2 , PART 3

I directed a performance for the students at the basic theatre education group that I was teaching.

I directed a performance for the students at the basic theatre education group that I was teaching.

I worked as a physical actor in a Teatteri Iris piece. I played the roles of the father and the viking and acted as a part of dancing ensemble. I also took part in creation of fight choreographies with my then-future mentor Iiro Heikkilä.

I did help the choir I was part of to craft a simple dramaturgy for their live performance Rauhan laulut.

I was the physical theatre teacher at Suomen Musiikkiteatteri Akatemia 2014-2017 before the school declared bankruptcy. During this time, I also fight directed all their student productions. Merry Wives of Windsor was one of these.

I took part in a choir performance as a tenor.

I was one of the creators of Kompastusjoukko's third physical theatre performance which combined lights, origami masks and music, and was performed as a part of Night of the Arts during Tampere Theatre Summer.

I directed an hour-long mask theatre adaptation of Robert Louis Stevenson's Treasure Island for five actors.

LINK TO A REVIEW

Kompastusjoukko's second physical theatre performance was ordered for Earth Hour. It included a huge piece of sewn-together cloth, live lanterns, cardboard houses and several physical actors.

Kompastusjoukko's first physical theatre performance was created for Häme Medieval Market. There we simply told a silly story of love and contact with the use of classical commedia dell'arte masks.

Rakensin sooloesityksen ja esiinnyin siinä osana Peeled-festivaalia. Tämä oli osa fyysisen teatterin opintojani Ammattikorkeakoulu Noviassa.

Esiinnyin Tom Fjordefalkin ohjaamassa esityksessä osana fyysisen teatterin opintojani.

I performed a dance from classical Nihon Buyou repertoire Beats and Prayers festival as part of my physical theatre studies. This was a presentation of what I had learned during my exchange studies in Japan under autumn 2013.

I directed Eugene Ionesco’s text as a part of my physical theatre studies at Novia University of Applied Sciences.

I acted William Butler Yeat's Purgatorium as directed by Liv Nordgren as a part of my physical theatre studies at Novia University of Applied Sciences

Näyttelin Elin Smedlundin versiossa Jean-Paul Sartren tekstiä osana opintojani Ammattikorkeakoulu Noviassa.

I performed a dance from classical Nihon Buyou repertoire at the market event.

I was one of the physical performers and choreographers for the Dinner Show Performance in Vaasa.

LINK TO THEATRE'S WEBSITE

I performed at SampeiFes festival in Kyoto, Japan during my exchange studies there. I performed dances from classical Nihon Buyou repertoire and learned a few contemporary pieces adapted to the festival.

I worked as a summer performer at the Vaasa Lunch Picnic where I created several live performances for the picnic-goers. These included a music-theatre performance and several clown numbers.

I worked as a summer performer at the Vaasa Lunch Picnic where I created several live performances for the picnic-goers. These included a music-theatre performance and several clown numbers.